"Under Construction" Components
Video:
Social Media:
https://www.instagram.com/underconstructionfilm/
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Postcard Back:
Video:
Social Media:
https://www.instagram.com/underconstructionfilm/
Postcard Front:
Postcard Back:
Editing has been great so far. Well, minus my hard drive port breaking yesterday and my hard drive malfunctioning today. Other than that stuff, editing has been going swell.
Using my script and storyboard, I line-edited my piece. Sequencing everything together was relatively easy, but I had so many gigabytes of footage to work with that the video thumbnails were barely loading, which slowed down the process.
When I finished line-editing, I saw exactly what I was expecting.
Way over five minutes.
Like, by double.
"Under Construction" in its entirety ended up being over 10 minutes long, but luckily for me, many of my scenes were total fluff.
Here are some scenes I chopped for the rough cut (though I will provide the full cut if you'd like to watch that one!):
-Bike riding scene
-Police questioning scene
-KJ and Lola's interaction
-Most of Elijah and Lola's montage
With these scenes cut, the film is now approximately 8 minutes long, with some extra time left for the end credits. I do strongly prefer the full-length version, especially because of Ryan's hilarious acting, but I am also proud of the shortened version.
Before I get into color correcting and grading, here's a cute photo of my current timeline:
My brain has hurt so much during this project. I have overthought every decision. I spent an hour and a half figuring out each character's individual color psychology and costumes. I scavenged for the perfect music that would match my theme with lyrics that people won't even pay attention to. I took forever with choosing the right names for my characters and drove myself crazy for a little while because I didn't want to choose the names of anyone I knew because what if they think the character is based on them? I-
Look. Please read this blog post. I beg.
I HAVE SO MANY THOUGHTS AND SOMEONE NEEDS TO HEAR THEM.
In "Under Construction," I aimed to present the story of a girl named Lola being sexually assaulted and attempting to recover from the traumatic incident. I did not want to present the cause of her trauma in a graphic manner, however, as this could be triggering to some members of my target audience and a graphic scene would not add anything to my piece, as the incident itself is not what matters, but the healing afterward.
The phrase "Under Construction" refers to something being broken and in the process of being fixed. This is representative of Lola attempting to "fix" herself mentally after being sexually assaulted. During her flashback scene, I portrayed the feeling of violation by displaying Lola covered in construction tape. Lola feels as though her body has also been violated, and is therefore also under construction itself.
This week, my Media Studies teacher (shoutout TSTOK) gave us a lesson to guide us in writing our critical reflection. During her presentation, she mentioned that students tend to have difficulty with maintaining a "consistent brand."
She made sure to urge us that this is not out of us being complete utter failures, but rather because creating a consistent brand takes a lot of skill. There's people literally employed to do this.
However, I feel as though I should really focus on this more from now on. I've got my technicalities sorted out regarding filming and editing, so I think it is time to reevaluate what my brand is and how I will present it.
"Under Construction" is the story of a teenage girl following a sexual assault, and depicts the inconsistencies within the healing process. We see her "highs" through her experience with Elijah, and other highs and impulsive behavior are implied through her use of alcohol. Her lows are depicted through her interactions with her therapist and her breakdowns. At the end of the piece, Lola struggles to understand the proper step to take to move forward in recovery, as she feels trapped in the cycle of highs and lows.
My brand aims to normalize the difficulty of the healing process, and to depict the various emotions associated with recovery. I want to make sure my brand remains consistent, so I'm going to plan out how I will depict my brand's identity through each part of of the project.
Within my script, I have many scenes that incorporate flashbacks, especially in fast-paced sequences or montages. Since my initial draft, I knew that I wanted to utilize match cuts within my film to maneuver between the main scene and Lola's memories. I feel as if this creates more meaning than utilizing a cross-fade transition or black-and-white coloring, as a match cut can evoke a sense of unity between these scenes. Adding familiar traits to both scenes and having a seamless transition between them presents the idea that Lola in her flashback and Lola in present-day are one.
Since Lola is early in the recovery process, it would not make sense to have her appear as an entirely different person since her assault. Though some people cope with change, this isn't the case for everyone, and many still feel as though they are the same person they were when they were violated.
These match cuts also represent just how deep-rooted trauma can be. Lola in present-day is still united with the woman she sees in her flashbacks.
Rapecrisis.org.uk provides a list of trauma responses after sexual assault or abuse:
"Under Construction" Components Video: Social Media: https://www.instagram.com/underconstructionfilm/ Postcard Front: Postcard Back: